Ghanaian artist Ibrahim Mahama unveiled a striking new installation on Tuesday at London’s Barbican Centre.
Titled “Purple Hibiscus” after Chimamanda Ngozi Adichie’s novel, the piece transforms a section of the Brutalist complex with 2,000 square meters of hand-stitched pink and purple fabric.
Woven Legacy
“Purple Hibiscus” is a collaborative effort, meticulously crafted by Mahama alongside hundreds of Ghanaian artisans.
The vibrant fabric panels incorporate numerous “batakari” robes, traditionally worn by Ghanaians from all walks of life.
These cherished garments, passed down through generations, hold a special significance for Mahama, who has collected them for over a decade.
Labor of Love and Loss
Mahama is known for his large-scale building installations, and “Purple Hibiscus” marks his first major public commission in the UK.
The artwork features not just the colorful fabric but also scores of the batakari robes, some bearing the marks of their past use.
Notably, some robes show signs of being urinated on, reflecting a Ghanaian belief that the soul can be released from the material.
Clash and Harmony
The vibrant purple and pink fabric, adorned with these history-laden robes, creates a deliberate contrast with the Barbican’s imposing grey concrete facade and London’s typically gloomy skies.
This juxtaposition reflects not just aesthetics but also history.
The Barbican sits on a site with a rich history of textile trade, and the artwork resonates with the area’s experience of wartime destruction and renewal.
Facing the Elements
Mahama acknowledges the potential challenges posed by London’s rainy weather.
However, he remains unfazed, stating that the artwork will endure as long as it can.
He highlights the inherent impermanence of public art, acknowledging the possibility of unforeseen events impacting the installation.
Ultimately, “Purple Hibiscus” aims to inspire reflection on the human condition and the enduring power of life itself.
